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  • C. Angelopoulos, The European Harmonisation of Intermediary Liability in Copyright (Kluwer Law International, Information Law Series, forthcoming 2016)
  • C. Angelopoulos, “The Term Directive and the Term Extension Directive” in B. Hugenholtz and T. Dreier, Concise European Copyright Law (2nd ed., Kluwer Law International 2016)
  • L. Bently, 'Self-Copying and Copyright' in D. Hudson-Hick and R. Schmuecker (eds.) in The Aesthetics and Ethics of Copying (Bloomsbury, 2016) pp. 271-295
  • C. Angelopoulos, “Tracing the Outline of a Ghost: the Fair Balance between Copyright and Fundamental Rights in Intermediary Liability” (2015-6) Info - The Journal of Policy, Regulation and Strategy for Telecommunications, Information and Media, pp. 72-96
  • L. Bently and L. Biron, 'Discontinuities Between Legal Conceptions of Authorship and Social Practices: What, if anything, is to be done?' in M. Eechoud (ed.), The Work of Authorship: Creativity that Counts (Amsterdam: Amsterdam University Press/OAPEN library, Amsterdam), pp. 237-276
  • L. Bently and L. Biron, 'The Author Strikes Back' in K. Bowrey and M. Handler (eds.), Law and Creativity in the Age of the Entertainment Franchise (Cambridge: Cambridge University Press, 2014), Ch 2, pp. 29-51
  • L. Bently, 'Annual Revision (1998-2013) of 'United Kingdom' in M. Nimmer and P. Geller (eds.) International Copyright Law and Policy (New York: Lexis Nexis)
  • L. Bently, 'The Return of Industrial Copyright?' (2012) European Intellectual Property Review pp. 654-672
  • L. Bently, 'The Electric Telegraph and the Struggle over Copyright in News in Australia, Great Britain and India' in B. Sherman and L. Wiseman, Copyright and the Challenge of the New (Kluwer Law International, 2012) Ch 3
  • C. Angelopoulos “Are Blocking Injunctions against ISPs Allowed in Europe? Copyright Enforcement in the Post-Telekabel EU Legal Landscape” (2014) 10 Journal of Intellectual Property Law & Practice, p. 812-821. Republished in GRUR International, Vol. 11, pp. 1089-1096
  • C. Angelopoulos “Beyond the Safe Harbours: Harmonising Substantive Intermediary Liability for Copyright Infringement in Europe” (2013) 3 Intellectual Property Quarterly, pp. 253-274
  • C. Angelopoulos “Determining the Term of Protection for Films: When Does a Film Fall into the Public Domain in Europe?” IRIS plus 2012-2, European Audiovisual Observatory, Strasbourg 2012, pp. 7-21
  • C. Angelopoulos and L. Guibault, Open Content Licensing: From Theory to Practice (Amsterdam University Press, 2011)
  • L. Bently, R. Deazley, and M. Kretchmer (eds.) Privilege and Property: Essays in the History of Copyright (Cambridge: OpenBook, 2010)
  • L. Bently, P. Torremans and U. Suthersanen (eds.) Global Copyright (Cheltenham: Edward Elgar, 2010)
  • L. Bently, Copyright and Piracy: An Interdisciplinary Critique (Cambridge: Cambridge University Press, 2010)
  • L. Bently, '"The sole right...Shall return to the Authors": Anglo-American Authors' reversion rights from the Statute of Anne to Contemporary US Copyright,' (2010) 25(3) Berkeley Technology Law Journal of Law and the Arts, pp. 1-109
  • L. Bently, 'Authorship of Popular Music in UK Copyright Law' (2009) 12(2) Information Communication and Society, pp. 179-204 (special issue, 2009)
  • C. Angelopoulos, “Filtering the Internet for Copyrighted Content in Europe”, IRIS plus 2009-4, European Audiovisual Observatory, pp. 1-12
  • L. Bently, United Kingdom, in P.Geller (ed.) International Copyright: Law and Practice (New York: Matthew Bender, from 1998, annually updated)
  • C. Angelopoulos “Freedom of Expression and Copyright: the Double Balancing Act” (2008) 3 Intellectual Property Quarterly, pp. 328-353
  • I. Alexander, Copyright and the Public Interest in the Nineteenth Century (forthcoming, Hart Publishing)
  • I. Alexander, 'Infringement of Copyright in the UK' and 'Comment on "Unoriginal Genius: Plagiarism, Piracy, and the Construction of 'Romantic' Authorship"' Copyright and Piracy: An Interdisciplinary Critique (forthcoming, Cambridge University Press)
  • C. Seville, EU Intellectual Property Law and Policy (Edward Elgar, 2009)
  • C. Seville, 'Copyright' in David McKitterick (ed.), The Cambridge History of the Book in Britain (Volume 6, 1830-1914) (Cambridge: Cambridge University Press, 2009) pp.214-237
  • L. Bently, 'Parody and Copyright in the Common Law World,' in Copyright and Freedom of Expression (Alai, 2008)
  • P. Akester, A Practical Guide to Digital Copyright Law (London, Sweet & Maxwell, 2008)
  • I. Alexander, '"Neither bolt nor chain, iron safe nor private watchman, can prevent the theft of words": The birth of the performing right in Britain', Privilege and Property: Essays in the History of Copyright (forthcoming March 2009, OpenBook Publishers)
  • I. Alexander, United Kingdom Correspondent for Kluwer EU Copyright Cases - Online Service (Kluwer Law International), eds. B. Hugenholtz, Lucie Guibault (2008-present)
  • I. Alexander, 'A Select History of Music Copyright', LLM Seminar Presentation, King's College, London, 12 October 2008.
  • I. Alexander, Commentator on paper by Nicholas Groom, 'Unoriginal Genius: Plagiarism, Piracy, and the Construction of "Romantic" Authorship', Inspiration, Interpretation or Infringement? Interdisciplinary Approaches to Creativity and Copyright, Centre for Intellectual Property and Information Law, Cambridge, Emmanuel College, 1 July 2008.
  • I. Alexander, '"Neither bolt nor chain, iron safe nor private watchman, can prevent the theft of words": The birth of the performing right in Britain', Primary Sources on Copyright (1450-1900), The launch of the AHRC funded Digital Resource (www.copyrighthistory.org), Stationers' Hall, London, 19 and 20 March 2008.
  • I. Alexander, "Criminalising Copyright: A Story of Pirates, Publishers and Pieces of Eight" (2007) 66 Cambridge Law Journal  625
  • L. Bently, 'Copyright, Translations, and Relations Between Britain and India in the Nineteenth and Early Twentieth Centuries' (2007) 82(3) Chicago-Kent Law Review, pp. 1181-1240
  • C. Seville, The Internationalisation of Copyright Law: Books, Buccaneers and the Black Flag in the Nineteenth Century (Cambridge University Press, Cambridge Studies in Intellectual Property Rights Series, 2006)
  • C. Seville, ‘Edward Bulwer Lytton dreams of copyright: “It might make me a rich man.”’, in Francis O’Gorman (ed.), Victorian Literature and Finance (Oxford University Press, 2007)
  • C. Seville, ‘Commanding the ©s to retreat. Lessons in copyright governance from the nineteenth century’, (2006) 2 Intellectual Property Quarterly 73-90
  • P. Akester, “Study on the draft WIPO Broadcasting Treaty and its impact on freedom of expression" (2006) April-June UNESCO e-Copyright Bulletin
  • P. Akester, 'Digital Rights Management in the 21st Century' (2006) 3 European Intellectual Property Review 159 (with R. Akester)
  • P. Akester, 'The political dimension of the digital challenge: copyright and free speech restrictions in the digital age' 2006 (1) Intellectual Property Quarterly 16
  • L. Bently, Copyright And The Victorian Internet: Telegraphic Property Laws In Colonial Australia (2004) 38 Loyola Los Angeles Law Review, pp. 71-176
  • L. Bently, 'Interpretation of Copyright rules: The Role of the Interpreter - The Creation Function,' in Exploring the Sources of Copyright (ALAI, 2005), pp. 365-381
  • I. Alexander, "The Lord Chancellor, the Poets and the Courtesan: Public Morality and Copyright Law in the Early Nineteenth Century" in Law and the City: Proceedings of the 17th British Legal History Conference, London, 2005, p.230
  • P. Akester, The economic dimension of the digital challenge: a copyright perspective (2005) 1 Intellectual Property Quarterly 69 (with F. Lima)
  • C. Seville, Copyright term: who’s taking the Mickey? (case note on Eldred v Ashcroft) (2004) 63 Cambridge Law Journal pp.291-294
  • C. Seville, The United Kingdom’s implementation of the Copyright Directive 202 (October 2004) Revue International du Droit D’Auteur pp.184-222 (4,000 words)
  • C. Seville, ICLQ 53 (2004) 487-493
  • C. Seville, ICLQ 53 (2004) 1012-1023
  • P. Akester, International copyright and the challenges of digital technology (Cascais, Principia, 2004)
  • P. Akester, 'Authorship and Authenticity in Cyberspace' (2004) 20:6 Computer Law & Security Report 436
  • P. Akester, 'Implementation of the protection of technological measures of Article 6 of the InfoSoc Directive (2001/29/EC) in the UK (Euro Copyrights, Copyright Laws in Digital Europe, 2004)
  • P. Akester, 'Implementation of the protection of technological measures of Article 6 of the InfoSoc Directive (2001/29/EC) in Portugal' (Euro Copyrights, Copyright Laws in Digital Europe, 2004)
  • C. Seville, Peter Pan’s Rights: ‘To die will be an awfully big adventure’ Journal of the Copyright Society of the USA (2003) Vol. 51 pp.1-77
  • C. Seville, Peter Pan’s Rights: 'To Protect or Petrify?’ in The Cambridge Quarterly Vol. 33 pp.119-154
  • C. Seville, Copyright’s bargain - defining our terms (2003) Intellectual Property Quarterly pp.312-341
  • L. Bently, Art and the Making of Modern Copyright Law in D.McLean & K.Schubert, Dear Images: Art, Copyright and Culture (London: ICA/Ridinghouse, 2002)
  • L. Bently, Between a Rock and a Hard Place: The Problems Facing Freelance Creators in the UK Media Market Place (London: Institute for Employment Rights, 2002)
  • L. Bently and B. Sherman, Great Britain and the Signing of the Berne Convention in 1886 (2001) 48 Journal of the Copyright Society of the USA, pp. 311-340
  • P. Akester, 'Survey of Technological Measures for Protection of Copyright (2001) 12:1 Entertainment Law Review 36
  • C. Seville, Literary copyright reform in early Victorian England (Cambridge Studies in English Legal History) (Cambridge: CUP, 1999)
  • L. Bently, 'Copyright and the Death of the Author in Law and Literature,' (1994) 57 Modern Law Review, pp. 973-986